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Death (allegorical character)

S.2.16 L’ombre d’Hylas

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Bouteux inv. / Masquelier Sc.” Artist: “Le Bouteux, Joseph Barthélemy” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Ecoute moi, dit-il, perfide / Je te dois ces tristes adieux:” Keywords: interior,night, upper class, urban, deaths, Death (allegorical character), shrouds,lits d’ange, quivers, footrests, bed […]

Filed Under: Song Set Tagged With: arrows, bed coverings, bed curtains, bed hangings, bedrooms, beds (furniture), breast, columns (architectural elements), Death (allegorical character), deaths, dreams, fog, footrests, interior, key pattern, lits d'ange, naked male body, night, nudes (representations), quivers, shrouds, smoke (material), tables (support furniture), torches (lighting devices), upper class, urban, wings (animal components)

S.1.10 L’ombre d’eglé

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “JM moreau Le Jne. Inv. Scul. 1774” Artist: “Moreau, Jean Michel” Engraver: “Moreau, Jean Michel” Year: 1774 Inscription: “Arrétte, lui dit Eglé, / Ne détourne point la vuë.” Keywords: aegricanes, arrows, basins (vessels), bed coverings, bed hangings, bedrooms, beds (furniture), cassolettes, corpses (bodies), […]

Filed Under: Song Set Tagged With: aegricanes, arrows, basins (vessels), bed coverings, bed hangings, bedrooms, beds (furniture), cassolettes, corpses (bodies), Cupid (Roman deity), Death (allegorical character), deaths, dreams, ewers (vessels), fog, hooves (animal components), hourglasses, incense, interior, lits d'ange, naked female body, naked male body, night, nudes (representations), perfume (scent), quivers, rams (animals), shrouds, smoke (material), toilet sets (washing sets), torches (lighting devices), washbowls, wings (animal components)

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Licence & Identifier

DOI: 10.25911/5fb2475a57401

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Support for this Project

This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (Performing Transdisciplinarity DP170102666).

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