Christina Clarke is an Editor of the digital critical edition of Laborde’s Choix de Chansons, and Project Administrator for the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. She is a Lecturer at the Centre for Art History and Art Theory at the Australian National University. Christina has been responsible for designing the ontology of metadata for this project, and assigning meta-tags in line with Linked Open Data (LOD) principles. Along with Mark Ledbury, and Robert Wellington, Christina is responsible for art-historical content.
Nicholas Cronk is Editor of the digital critical edition of Laborde’s Choix de Chansons. He is Professor of French Literature and Director of the Voltaire Foundation at University of Oxford. Nicholas is Partner Investigator of the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. Along with Glenn Roe, Nicholas is responsible for literary content.
Erin Helyard is Editor of the digital critical edition of Laborde’s Choix de Chansons, and Chief Investigator on the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. He is Senior Lecturer at the Sydney Conservatorium of Music, and Artistic Director of Pinchgut Opera. Erin is musical director of the edition, played harpsichord on all of the recordings, and is responsible for musicological content.
Pia van Gelder is Designer of the digital critical edition of Laborde’s Choix de Chansons, and Post Doctoral Research Fellow on the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. She is a Lecturer in the School of Art and Design at the Australian National University. Pia is responsible for website development, and the design of the edition.
Paul McMahon is Senior Lecturer and Deputy Head of the School of Music at the Australian National University. Paul sings tenor on all of the musical recordings for the edition.
Amy Moore is a Sydney-based British soprano who is gaining a formidable reputation in the Australian classical music platform. She sings soprano on all of the musical recordings for the edition.
Mark Ledbury is Editor of the digital critical edition of Laborde’s Choix de Chansons, and Chief Investigator on the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. He is Power Professor of Art History and Visual Culture, and Director of the Power Institute at the University of Sydney. Along with Christina Clarke and Robert Wellington, Mark is responsible for art-historical content.
Glenn Roe is Editor of the digital critical edition of Laborde’s Choix de Chansons. He is Professor of French Literature and Digital Humanities in the Faculty of Letters at Sorbonne University, and Digital Research Fellow at the Voltaire Foundation, University of Oxford. Glenn is Chief Investigator of the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. Along with Nicholas Cronk, Glenn is responsible for literary content.
Robert Wellington is Editor-in-Chief of the digital critical edition of Laborde’s Choix de Chansons. He is Senior Lecturer at the Centre of Art History and Art Theory at the Australian National University. Robert is Lead Chief Investigator of the Australian Research Council Discovery Project Performing Transdisciplinarity, which has funded the creation of this edition. Along with Mark Ledbury, and Christina Clarke, Robert is responsible for art-historical content.
