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S.2.21 Les derniers regrets d’un amant

Look:

View Image(s): Chantilly, 1773, Compare


Image Metadata:

Image Description:

Plate Signature: “Le Bouteux. inv. / L J Masquelier Sc”

Artist: Le Bouteux, Joseph Barthélemy

Engraver: Masquelier, Louis Joseph, I

Year:

Inscription: “Pour la derniere fois / Aujoud’hui le vois / Ce tendre gage…..”

Keywords: andirons, arrows, banyans, bed coverings, bed curtains, bonnets (hats), books, bows (weapons), box beds, bureaux plats, busts (sculpture), candle sconces, candleholders, candles, chairs (furniture forms), Corinthian order, crescents (motifs), day (time of day), Diana (Roman deity), draperies (curtains), fireplaces, footrests, inkwells, interior, lovers, mantels (fireplace components), miniature painting, mirrors, Mythology, Classical, paintings (visual works), peploses, pilasters, pillows, plinths, pokers (equipment), putti (children), quill pens, quivers, sandals, sculpture (visual works), side chairs, stuccowork, tile flooring (flooring), torches (lighting devices), upper class, urban, vases, Venus (Roman deity), windows

Texts which refer to this image:

Other works of art quoted in this image:


General Metadata:

Group Page Range: Vol. 2, 122-126

Title Page Inscription: “LES / DERNIERS REGRETS / D’UN AMANT”

Published Notes:

Listen:

View Score(s): 1773

Song 1 recording: Ah! Silvie!

Song 2 recording: Par un baiser sur les levres d’Iris

Credit: Paul McMahon, tenor
Amy Moore, soprano
Erin Helyard, harpsichord (French double by Carey Beebe after Blanchet, 1991)
Temperament: Jean-Henri Lambert, 1774, A:392

Song 1 diction recording:

Song 2 diction recording:

Credit: Eighteenth-century diction prepared and declaimed by Linda Barcan with the assistance of Erin Helyard and Veronique Duche


Music Metadata:

Song 1 Description:
The serious subject matter of this poem is given equally serious treatment by Laborde, with a preliminary recitatif that suggests the opera house and tragédie lyrique. David’s harp is suggested in the restless arpeggiated accompaniment and the lamenting tone is captured in the keening vacillation between G and F-sharp with the words “mon cœur est déchiré sans césse”.

Song 1 Composer: Laborde, Jean-Benjamin de

Song 1 Key Signature: f

Song 1 Time Signature: 2

Song 1 Expression Marks: Allegretto

Song 1 Tessitura of Voice: f1-ab2

Song 1 Tessitura of Instrument: c-f2

Song 1 Strophic: Non-strophic

Song 1 Related Compositions:

Song 2 Description:

Song 2 Composer: Laborde, Jean-Benjamin de

Song 2 Key Signature: c

Song 2 Time Signature: 2

Song 2 Expression Marks: Andantino

Song 2 Tessitura of Voice: g1-bb2

Song 2 Tessitura of Instrument: G-g2

Song 2 Strophic: Non-strophic

Song 2 Related Compositions:

Read:

Song 1 Transcription:
Ah! Silvie si chérie
toi
qui devais m’aimer
le reste de ma vie
quand l’espérance m’est ravie
il faut en fin renoncer pour jamais
à tes séduisans attraits
il faut renoncer pour jamais
à tes séduisans attraits.

ton cœur volage alors constant
me fit présent de ton Image
pour la derniere fois
aujourd’hui
je le vois
ce tendre gage
de toi mon seul souvenir
sera de te hair
oui de toi mon seul souvenir
sera de te hair.

Song 2 Transcription:
Par un baiser
sur les lévres d’Iris,
de ma fidelle ardeur
j’ai dérobé le prix
mais mon bonheur à passé comme un songe
[-ge]

Je doute encor de ma félicité
mon bonheur fu trop grand
pour n’etre qu’un mensonge
mais il dura,
[mais il dura]
trop peu p[ou]r une vérité.


Text Metadata:

Song 1 Text Description:

Song 1 Incipit: Ah! Silvie!

Song 1 Author: Laborde, Jean-Benjamin de

Song 1 Text Keywords:

Sources that refer to song 1 text:

Sources that song 1 text refers to:

Song 2 Text Description:

Song 2 Incipit: Par un baiser sur les levres d’Iris

Song 2 Author: Rousseau, Jean-Jacques

Song 2 Keywords:

Sources that refer to song 2 text:

Filed Under: Song Set Tagged With: andirons, arrows, banyans, bed coverings, bed curtains, bonnets (hats), books, bows (weapons), box beds, bureaux plats, busts (sculpture), candle sconces, candleholders, candles, chairs (furniture forms), Corinthian order, crescents (motifs), day (time of day), Diana (Roman deity), draperies (curtains), fireplaces, footrests, inkwells, interior, lovers, mantels (fireplace components), miniature painting, mirrors, mythology-classical, paintings (visual works), peploses, pilasters, pillows, plinths, pokers (equipment), putti (children), quill pens, quivers, sandals, sculpture (visual works), side chairs, stuccowork, tile flooring (flooring), torches (lighting devices), upper class, urban, vases, Venus (Roman deity), windows

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Licence & Identifier

DOI: 10.25911/5fb2475a57401

Cite this Page

"S.2.21 Les derniers regrets d’un amant." Choix de Chansons - Accessed May 9, 2025. https://choixdechansons.cdhr.anu.edu.au/s-2-21-les-derniers-regrets-dun-amant/
Choix de Chansons (May 9, 2025) S.2.21 Les derniers regrets d’un amant. Retrieved from https://choixdechansons.cdhr.anu.edu.au/s-2-21-les-derniers-regrets-dun-amant/.
"S.2.21 Les derniers regrets d’un amant." Choix de Chansons - May 9, 2025, https://choixdechansons.cdhr.anu.edu.au/s-2-21-les-derniers-regrets-dun-amant/
Choix de Chansons September 2, 2020 S.2.21 Les derniers regrets d’un amant., viewed May 9, 2025,<https://choixdechansons.cdhr.anu.edu.au/s-2-21-les-derniers-regrets-dun-amant/>

Support for this Project

This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (Performing Transdisciplinarity DP170102666).

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