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S.1.15 L’ingénuë

Look:

View Image(s): Chantilly, 1773, Compare


Image Metadata:

Image Description:

Plate Signature: “JM. moreau Le Jne. Inve. Scul. 1774.”

Artist: “Moreau, Jean Michel”

Engraver: “Moreau, Jean Michel”

Year: 1774

Inscription: “Tenés, l’autre nuitée. / Tandis que je dormois;”

Keywords: basins (vessels), baskets (containers), beams (structural elements), bed coverings, bed curtains, bed valances, bedrooms, beds (furniture), box beds, breast, chairs (furniture forms), clothing, cottages, dormeuses (caps), Felis domesticus (species), flasks (bottles), hay (material), interior, nightwear, onions, pastoral, peasants, pitchers (vessels), post-and-beam structures, rushwork, seductions, shoes (footwear), slat-back chairs, stockings, tablecloths, tables (support furniture), tableware, thigh, female breast, doorways

Texts which refer to this image: Mahérault, L’oeuvre de Moreau le jeune, 28

Other works of art quoted in this image:


General Metadata:

Group Page Range: Vol. 1, 90-94

Title Page Inscription: “L’INGÉNÜE”

Published Notes:
Included in Chants et chansons populaires de la France 1. It is attributed here to “Anonyme,” suggesting that it may be an older song which Laborde has simply set to music.

Listen:

View Score(s): 1773

Song 1 recording: Vrai Dieu quel trouble extrême

Song 2 recording: Mes chers troupeaux

Credit: Paul McMahon, tenor
Amy Moore, soprano
Erin Helyard, harpsichord (French double by Carey Beebe after Blanchet, 1991)
Temperament: Jean-Henri Lambert, 1774, A:392

Song 1 diction recording:

Song 2 diction recording:

Credit: Eighteenth-century diction prepared and declaimed by Linda Barcan with the assistance of Erin Helyard and Veronique Duche


Music Metadata:

Song 1 Description:

S.1.15.1.mid

S.1.15.1-Full-ScoreDownload

S.1.15.2.mid

S.1.15.2-Full-ScoreDownload

Song 1 Composer: [Laborde, Jean-Benjamin de]

Song 1 Key Signature: G/g

Song 1 Time Signature: 3

Song 1 Expression Marks: Largetto

Song 1 Tessitura of Voice: d1-eb2

Song 1 Tessitura of Instrument: D-bb2

Song 1 Strophic: ?

Song 1 Related Compositions:

Song 2 Description:

Song 2 Composer: [Laborde, Jean-Benjamin de]

Song 2 Key Signature: f

Song 2 Time Signature: 3

Song 2 Expression Marks: Grazioso

Song 2 Tessitura of Voice: c1-f2

Song 2 Tessitura of Instrument: C-bb2

Song 2 Strophic: Strophic

Song 2 Related Compositions: Lusse, Recueil de romances historiques 2, 31-32

Read:

Song 1 Transcription:
I
Vrai Dieu quel trouble extrême
d’avoir beaucoup d’amans
qui veulent qu’on les aime
et tous en même tems.
mais moi qui suis sincére,
Je dis avec douceur,
helas! comment donc faire,
voyés je n’ai qu’un cœur
II
Bergers est il possible
que vous me grondiés tous,
de n’etre pas sensible
à mes soins les plus doux
si mon cœur n’est pas tendre
Est ce ma faute hélas!
tachés de me le prendre,
je ne le deffends pas.
III
Tenés, L’autre Nuitée
Tandis que je dormais,
Trois fois l’ame enchantée
Je révai que j’aimais;
Depuis, je ne desire
Que d’avoir tout à fait
Un amant qui m’inspire
Ce qu’un songe m’a fait.

Song 2 Transcription:
I
Mes chers troupeaux cherchés la plaine,
fuyés les bois de peur des Loups,
mes chers troupeaux, cherchés la plaine,
fuyés les bois de peur des Loups.
Je ne songe qu’à Celimene,
Je ne saurais songer à vous.
Je ne songe qu’a Celimene,
je ne saurais songer à vous.
II
Je ne sais plus, depuis que j’aime,
Mener mes chiens, ni vous guider.
Je n’ai pu me garder moi même,
Comment pourrais-je vous garder!


Text Metadata:

Song 1 Text Description:

Song 1 Incipit: Vrai dieu quel trouble extrême

Song 1 Author: “Moncrif , François-Auguste Paridis de”

Song 1 Text Keywords:

Sources that refer to song 1 text: Poinsinet de Sivry, Théâtre de M. Poinsinet de Sivry, 370 (a song with the same title/incipit is referred to).

Sources that song 1 text refers to:

Song 2 Text Description:

Song 2 Incipit: Mes chers troupeaux

Song 2 Author: “Laborde, Jean-Benjamin de”

Song 2 Keywords:

Sources that refer to song 2 text: Chants et chansons populaires de la France 1.
Lusse, Recueil de romances historiques 2, 31-32.

Filed Under: Song Set Tagged With: basins (vessels), baskets (containers), beams (structural elements), bed coverings, bed curtains, bed valances, bedrooms, beds (furniture), box beds, breast, chairs (furniture forms), clothing, cottages, doorways, dormeuses (caps), Felis domesticus (species), female breast, flasks (bottles), hay (material), interior, nightwear, onions, pastoral, peasants, pitchers (vessels), post-and-beam structures, rushwork, seductions, shoes (footwear), slat-back chairs, stockings, tablecloths, tables (support furniture), tableware, thigh

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Licence & Identifier

DOI: 10.25911/5fb2475a57401

Cite this Page

"S.1.15 L’ingénuë." Choix de Chansons - Accessed May 9, 2025. https://choixdechansons.cdhr.anu.edu.au/s-1-15-lingenue/
Choix de Chansons (May 9, 2025) S.1.15 L’ingénuë. Retrieved from https://choixdechansons.cdhr.anu.edu.au/s-1-15-lingenue/.
"S.1.15 L’ingénuë." Choix de Chansons - May 9, 2025, https://choixdechansons.cdhr.anu.edu.au/s-1-15-lingenue/
Choix de Chansons September 1, 2020 S.1.15 L’ingénuë., viewed May 9, 2025,<https://choixdechansons.cdhr.anu.edu.au/s-1-15-lingenue/>

Support for this Project

This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (Performing Transdisciplinarity DP170102666).

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