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S.2.18 Le juge intégre

Look:

View Image(s): Chantilly, 1773, Compare


Image Metadata:

Image Description:

Plate Signature: “Le Bouteux inv. / L J Masquelier Sc.”

Artist: Le Bouteux, Joseph Barthélemy

Engraver: Masquelier, Louis Joseph, I

Year:

Inscription: “Ce Dieu lui reprit Euridice / Pour prix de ses divins accords.”

Keywords: bident, boats, Cerberus (Greek mythology), Charon (Greek character), demons, Eurydice (Greek character), ferries (vessels), fire (physical concept), Hades (Greco-Roman legendary place), Hades (Greek deity), lyres, musical instruments, Mythology, Classical, naked male body, oars, Orpheus (Greek character), Orpheus and Eurydice (Greco-Roman narrative), Persephone (Greek deity), sandals, seating furniture, smoke (material), staffs (walking sticks), Styx (Greek legendary river), thrones, underground environments, underworld (doctrinal concept), wings (animal components)

Texts which refer to this image:

Other works of art quoted in this image:


General Metadata:

Group Page Range: Vol. 2, 104-108

Title Page Inscription: “LE JUGE / INTEGRE”

Published Notes:

Listen:

View Score(s): 1773

Song 1 recording: Lorsque le Chantre de la Thrace

Song 2 recording: Songés bien que l’Amour sait feindre

Credit: Paul McMahon, tenor
Amy Moore, soprano
Erin Helyard, harpsichord (French double by Carey Beebe after Blanchet, 1991)
Temperament: Jean-Henri Lambert, 1774, A:392

Song 1 diction recording:

Song 2 diction recording:

Credit: Eighteenth-century diction prepared and declaimed by Linda Barcan with the assistance of Erin Helyard and Veronique Duche


Music Metadata:

Song 1 Description:

Song 1 Composer: Laborde, Jean-Benjamin de

Song 1 Key Signature: F

Song 1 Time Signature: 2

Song 1 Expression Marks: Presto

Song 1 Tessitura of Voice: c1-bb2

Song 1 Tessitura of Instrument: C-bb2

Song 1 Strophic: Non-strophic

Song 1 Related Compositions:

Song 2 Description:

Song 2 Composer: Laborde, Jean-Benjamin de

Song 2 Key Signature: Eb

Song 2 Time Signature: 2

Song 2 Expression Marks: Adagio Romance

Song 2 Tessitura of Voice: eb1-ab2

Song 2 Tessitura of Instrument: Bb-c3

Song 2 Strophic: Strophic

Song 2 Related Compositions:

Read:

Song 1 Transcription:
Lorsque le Chantre de la Thrace:
sur les Sombres bords descendit,
on punit d’abord son audace,
par sa femme qu’on lui rendit.

Mais bientôt par une justice
qui fit honneur au Dieu des morts
ce Dieu lui reprit Euridice
pour prix de ses divins accords,
pour prix de ses divins accords,
pour prix de ses divins accords.

Song 2 Transcription:
I
Songéz bien que l’amour sçait feindre
redoutés un sage Berger,
on n’est que plus près du danger
quand on croit n’avoir rien à craindre
II
Je voyois sans ètre inquiette
Daphnis m’aborder quelque fois;
il me trouvoit seulétte au Bois,
Sans jamais me conter fleurétte.
III
Si je chantois dans le Boccage,
Pour m’écouter il s’arrétoit;
Une autre Bergere chantoit,
Il s’enretournoit au Village.
IV
Sans crainte, sans inquietude
Chaque jour Jaimois à le voir;
Bientot sans m’en appercevoir
Je perdis toute autre habitude.
V
L’enchanteur! Qu’elle adresse extrême
Il employoit pour me charmer!
Croiroiton qu’onse fit aimer
Sans jamais dire, je vous aime!
VI
Des amans me peignant l’yvrésse
Il m’entretenoit tout un jour,
C’étoit pour condamner l’amour,
Mais c’etoit en parler sans cèsse.
VII
Daphnis enfin sçut me contraindre
A partager sa tendre ardeur;
Je sentis qu’il avoit mon cœur,
Quand je commençai de le craindre


Text Metadata:

Song 1 Text Description:

Song 1 Incipit: Lors-que le chantre de la Thrace

Song 1 Author: Panard, Charles-François

Song 1 Text Keywords:

Sources that refer to song 1 text:

Sources that song 1 text refers to:

Song 2 Text Description:

Song 2 Incipit: Songés bien que l’Amour sait feindre

Song 2 Author: Moncrif , François-Auguste Paridis de

Song 2 Keywords:

Sources that refer to song 2 text: Laborde, Essai sur la musique 4, 255

Filed Under: Song Set Tagged With: bident, boats, Cerberus (Greek mythology), Charon (Greek character), demons, Eurydice (Greek character), ferries (vessels), fire (physical concept), Hades (Greco-Roman legendary place), Hades (Greek deity), lyres, musical instruments, mythology-classical, naked male body, oars, Orpheus (Greek character), Orpheus and Eurydice (Greco-Roman narrative), Persephone (Greek deity), sandals, seating furniture, smoke (material), staffs (walking sticks), Styx (Greek legendary river), thrones, underground environments, underworld (doctrinal concept), wings (animal components)

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Licence & Identifier

DOI: 10.25911/5fb2475a57401

Cite this Page

"S.2.18 Le juge intégre." Choix de Chansons - Accessed March 25, 2023. https://choixdechansons.cdhr.anu.edu.au/s-2-18-le-juge-integre/
Choix de Chansons (March 25, 2023) S.2.18 Le juge intégre. Retrieved from https://choixdechansons.cdhr.anu.edu.au/s-2-18-le-juge-integre/.
"S.2.18 Le juge intégre." Choix de Chansons - March 25, 2023, https://choixdechansons.cdhr.anu.edu.au/s-2-18-le-juge-integre/
Choix de Chansons September 2, 2020 S.2.18 Le juge intégre., viewed March 25, 2023,<https://choixdechansons.cdhr.anu.edu.au/s-2-18-le-juge-integre/>

Support for this Project

This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (Performing Transdisciplinarity DP170102666).

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