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Choix de Chansons

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churches (buildings)

S.3.19 Regrets de Petrarque

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Barbier inv. / Masquelier Sc.” Artist: “Lebarbier, Jean Jacques François” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Quelqufois pénétrant au fond de son tombeau, / J’ose encore la chercher dans ses crêpes funebres;” Keywords: guéridons, interior, torches (lighting devices), ruffs, Corinthian order, […]

Filed Under: Song Set Tagged With: arcades (structural assemblies), arches, censers, churches (buildings), columns (architectural elements), Corinthian order, corpses (bodies), epitaphs, guéridons, hangings (coverings), incense, interior, night, oil lamps, pointed arches, portraits, ruffs, skull motifs, smoke (material), stairs, tile flooring (flooring), tombs, torches (lighting devices), windows

S.2.14 L’heureux mariage

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Bouteux inv. / Masquelier Sc.” Artist: “Le Bouteux, Joseph Barthélemy” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “L’hymen vint de ses nœuds, / Récompenser leurs feux / Et leur constance.” Keywords: acolytes, altar candlesticks, altar canopies, altar crosses, altars (religious fixtures), audiences, […]

Filed Under: Song Set Tagged With: acolytes, altar candlesticks, altar canopies, altar crosses, altars (religious fixtures), audiences, bagwigs, baldachins (canopies), candleholders, candles, chairs (furniture forms), churches (buildings), ciboria (structures), coffers (architecture components), columns (architectural elements), Corinthian order, corsages (costume accessories), couples, court dress, cushions, Doric order, friezes (entablature components), interior, kneeling, marriage (social construct), priests, rugs (textiles), side chairs, spiral columns, stuccowork, swags, upper class, urban, vestments (ecclesiastical costume), wedding clothes, wedding dresses, wedding rings, wedding veils, weddings (ceremonies)

S.2.10 L’enlévement

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Bouteux inv. / Masquelier Sc.” Artist: “Le Bouteux, Joseph Barthélemy” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Bien doucement, il la defend / Aidé d’une echelle.” Keywords: bas-reliefs (sculpture), carriages (vehicles), church towers, churches (buildings), clouds, columns (architectural elements), couples, Equus caballus […]

Filed Under: Song Set Tagged With: bas-reliefs (sculpture), carriages (vehicles), church towers, churches (buildings), clouds, columns (architectural elements), couples, Equus caballus (species), exterior, flight (escaping), fountains, gates, hedges, Ionic order, ladders, lovers, Moon, night, servants, sheaths (cases), sky, smoke (material), spires, swords, torches (lighting devices), upper class, urban, urns, water features (landscaping), windows

S.1.21 La foire de gonésse

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “JM. moreau Le Jne Inve. Sculp. 1772” Artist: “Moreau, Jean Michel” Engraver: “Moreau, Jean Michel” Year: 1772 Inscription: “Chantons sans césse, / Vive la Foire de Gonésse.” Keywords: audiences, banners, bows (chordophone components), children (people by age group), church towers, churches (buildings), couples, […]

Filed Under: Song Set Tagged With: audiences, banners, bows (chordophone components), children (people by age group), church towers, churches (buildings), couples, day (time of day), dogs (species), exterior, fairs, families (kinship groups), fiddles, Gonesse (France), greyhounds (breed), mothers, musical instruments, musicians, parasols (costume accessories), performances (creative events), scores (documents for music), shawls, singing (performing arts genre), spires, stages (performance spaces), tents (portable buildings), urban

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Licence & Identifier

DOI: 10.25911/5fb2475a57401

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Support for this Project

This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (Performing Transdisciplinarity DP170102666).

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