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Corinthian order

S.4.09 Le mort vivant

S.4.09 Le mort vivant, 1772, Title page

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “LeBarbier inv. / D Née Sc” Artist: “Lebarbier, Jean Jacques François” Engraver: “Née, François Denis” Year: Inscription: “Et je vois de jeunes Amans / Comme un Pere voit ses Enfans / Quoi qu’ils le chaßent de la Vie.” Keywords: acanthus (motif) arches bagwigs […]

Filed Under: Song Set Tagged With: acanthus (motif), arches, bagwigs, books, cabriole chairs, chairs (furniture forms), clocks, consoles (brackets), corbels, Corinthian order, couples, court dress, courtship, elderly, fauteuils en cabriolet, interior, Ionic order, lovers, order insignias, Ordre du Saint-Esprit, pilasters, roundels (circular panels), side tables, stuccowork, tables (support furniture), upper class, Vitruvian scrolls

S.3.19 Regrets de Petrarque

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Barbier inv. / Masquelier Sc.” Artist: “Lebarbier, Jean Jacques François” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Quelqufois pénétrant au fond de son tombeau, / J’ose encore la chercher dans ses crêpes funebres;” Keywords: guéridons, interior, torches (lighting devices), ruffs, Corinthian order, […]

Filed Under: Song Set Tagged With: arcades (structural assemblies), arches, censers, churches (buildings), columns (architectural elements), Corinthian order, corpses (bodies), epitaphs, guéridons, hangings (coverings), incense, interior, night, oil lamps, pointed arches, portraits, ruffs, skull motifs, smoke (material), stairs, tile flooring (flooring), tombs, torches (lighting devices), windows

S.3.01 Anaximandre

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Barbier inv / Masquelier Sc” Artist: Lebarbier, Jean Jacques François Engraver: Masquelier, Louis Joseph, I Year: Inscription: “Il fut initié par elles / Dans leurs misteres enchanteurs.” Keywords: aegricanes, altars (religious fixtures), Anaximander (Greek philosopher), arrows, axes (tools), balustrades, cassolettes, censer stands, […]

Filed Under: Song Set Tagged With: aegricanes, altars (religious fixtures), Anaximander (Greek philosopher), arrows, axes (tools), balustrades, cassolettes, censer stands, censers, Civilization-Classical, columns (architectural elements), Corinthian order, day (time of day), ewers (vessels), female breast, interior, mythology-classical, naked female body, nudes (representations), putti (children), quivers, rams (animals), Rosa (genus), sandals, sheep (genus), sirens (imaginary beings), smoke (material), stairs, Three Graces (Greco-Roman narrative), wreaths (costume accessories)

S.3.25 Le melancolique

S.3.25 Le melancolique, 1772, Title Page

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Barbier inv. / L. J. Masquelier Sculp.” Artist: “Lebarbier, Jean Jacques François” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Lugubre nuit, par vos ténébres, / Venés chaßer l’éclat du jour.” Keywords: night, exterior,Moon, upper class, urban, sky, clouds, Chiroptera (order), Populus (genus), […]

Filed Under: Song Set Tagged With: bagwigs, bas-reliefs (sculpture), cemetaries, Chiroptera (order), clouds, columns (architectural elements), Corinthian order, exterior, grasses (plants), graves, Ionic order, Malva sylvestris, Moon, night, obelisks (monumental pillars), plinths, Populus (genus), ruins, sky, Strigiformes (order), tombs, upper class, urban, urns

S.2.21 Les derniers regrets d’un amant

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Bouteux. inv. / L J Masquelier Sc” Artist: Le Bouteux, Joseph Barthélemy Engraver: Masquelier, Louis Joseph, I Year: Inscription: “Pour la derniere fois / Aujoud’hui le vois / Ce tendre gage…..” Keywords: andirons, arrows, banyans, bed coverings, bed curtains, bonnets (hats), books, […]

Filed Under: Song Set Tagged With: andirons, arrows, banyans, bed coverings, bed curtains, bonnets (hats), books, bows (weapons), box beds, bureaux plats, busts (sculpture), candle sconces, candleholders, candles, chairs (furniture forms), Corinthian order, crescents (motifs), day (time of day), Diana (Roman deity), draperies (curtains), fireplaces, footrests, inkwells, interior, lovers, mantels (fireplace components), miniature painting, mirrors, mythology-classical, paintings (visual works), peploses, pilasters, pillows, plinths, pokers (equipment), putti (children), quill pens, quivers, sandals, sculpture (visual works), side chairs, stuccowork, tile flooring (flooring), torches (lighting devices), upper class, urban, vases, Venus (Roman deity), windows

S.2.14 L’heureux mariage

Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Bouteux inv. / Masquelier Sc.” Artist: “Le Bouteux, Joseph Barthélemy” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “L’hymen vint de ses nœuds, / Récompenser leurs feux / Et leur constance.” Keywords: acolytes, altar candlesticks, altar canopies, altar crosses, altars (religious fixtures), audiences, […]

Filed Under: Song Set Tagged With: acolytes, altar candlesticks, altar canopies, altar crosses, altars (religious fixtures), audiences, bagwigs, baldachins (canopies), candleholders, candles, chairs (furniture forms), churches (buildings), ciboria (structures), coffers (architecture components), columns (architectural elements), Corinthian order, corsages (costume accessories), couples, court dress, cushions, Doric order, friezes (entablature components), interior, kneeling, marriage (social construct), priests, rugs (textiles), side chairs, spiral columns, stuccowork, swags, upper class, urban, vestments (ecclesiastical costume), wedding clothes, wedding dresses, wedding rings, wedding veils, weddings (ceremonies)

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Licence & Identifier

DOI: 10.25911/5fb2475a57401

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"." Choix de Chansons - Accessed June 21, 2025.
Choix de Chansons (June 21, 2025) . Retrieved from .
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Support for this Project

This research was supported by the Australian Government through the Australian Research Council’s Discovery Projects funding scheme (Performing Transdisciplinarity DP170102666).

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