Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Barbier inv. / L. J. Masquelier Sculp 1773” Artist: “Lebarbier, Jean Jacques François” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Viens Eglé dans la prarie / Nous dirons une chanson,” Keywords: exterior,pastoral, peasants, day (time of day), sky, clouds, trees, cows (mammals), […]
cows (mammals)
S.2.06 Le racomodement
Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “Le Bouteux inv. / Masquelier Sc.” Artist: “Le Bouteux, Joseph Barthélemy” Engraver: “Masquelier, Louis Joseph, I” Year: Inscription: “Ah! dieux quel bonheur! / Dit Colin, jamais tant d’ardeur / Ne m’enflama, ma chere Colinette;” Keywords: aerophones, baskets (containers), cattle, cattle driving, clouds, couples, […]
S.1.17 Le droit de péage
Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “JM moreau Le Jne inv. Scul. 1773” Artist: “Moreau, Jean Michel” Engraver: “Moreau, Jean Michel” Year: 1773 Inscription: “Mais pour ne pas le lui donner / Il fallut bien le laisser prendre.” Keywords: baskets (containers), birds (animals), bridges (built works), cattle, cattle driving, […]
S.1.07 Le ruisseau
Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: The bergere or shepherd boy that appears resting on the ground in the shade of an elm tree is dressed more for an appearance in a courtly pastoral play than for a day of work in the field. He wears a simple justaucorps, waistcoat, and culottes, the […]
S.1.03 Le declin du jour
Look: View Image(s): Chantilly, 1773, Compare Image Metadata: Image Description: Plate Signature: “JM. moreau Le Jne. Inv. Scul. 1772” Artist: “Moreau, Jean Michel” Engraver: “Moreau, Jean Michel” Year: 1772 Inscription: “Vois-tu ces Coteaux se noircir, / Et nos Troupeaux se réunir?” Keywords: aerophones, baskets (containers), cattle, cattle driving, cows (mammals), crooks (object genres), day (time […]
